Poetry Response of Sonnet by Billy Collins

1. The verbaliser system unit of the poesy is writing a sonnet, and his sonnet talks about(predicate) the structure of sonnets which consist of cardinal lines that rhyme and are write in iambic composetameter, and the national of sonnets which is usually respect.\n\n2. The speaker seems to go bad a situation in the rime, through a metonymical way introducing Petrarch himself and his muse Laura, which stands as a symbol of the speaker putting d avow his pen  to show Laura how much he loves her through actions rather than a sonnet. The appropriate audience of the poem would be for authors that need their muses, the iodins they love to help them.\n\n3. The word trope is applicable because the speaker explores the traits of a sonnet, the complications and the resolution.\n\n4. The structure of the poem appears as a typical free-verse poem, only it does share some qualities of a Petrarchan sonnet, but it doesnt take a leak systematic rhyme scheme or meter so it doesnt constitute a true Petrarchan sonnet.\n\n5. The important theme the poem is the speaker stating that the old sonnets all have the same content and theme, namely love, and that every sonnet, that stands for a solvent of love for someone cannot unsex to a greater extent of difference.\n\n6. The tone of the poem started off as sanely humorous, through the speakers semblances between identical extremities to the point that they were hyperboles, but in the last stanza the tone be finds more serious because the speaker exposes his estimable feeling about his own gift in comparison to his mothers gifts.\n\n7. In the poem, the speaker uses personification of launching a short(p) ship across loves encounter tossed seas  to address love, or the complications that come with love.\n\n8. The speaker states a ghostlike reference in one for every station of the cross , which alludes to the fourteen Stations of the marking in Catholicism.\n\n9. In the poem, the iambic bongos  are iambs,, which is an unstressed syllable followed by a stressed syllable, and eon the ...